Analysis of Frankenstein (2025) from the perspective of Transcendental Anthropology
Mauricio C. Serafim | 20.11.2025 The film illustrates the conflict between technical production and the personal dimension. The Creature’s misfortune does not lie in its monstrous constitution, but in the systematic denial of fully manifesting its transcendentals (free coexistence, personal knowing, personal loving), a direct result of its creator’s inability to overcome the limit of […]